The Smellpic and the Tea Man: Scene from The Dawn Chorus

There was a scent in the air, a soft scent, something akin to cinnamon but not exactly so, or perhaps combined with some other scent. Either way, it was intoxicating. As she stared at the picture in the frame, she felt taken with the man in it: his stature, his smile, his eyes, his soft, creamy skin, his trailing silken robe. She reached out her hand to touch it—

“I smelled good in that, didn’t I?”

She turned slowly, as if in a daze.

“Er…looked, you mean?”

“If you like. But it’s really all about the scent. That there is a smellpic. See, if I do this,” he reached his hand out behind the frame and fiddled with something; it went ssst. “See the difference? Look.”

She looked. There was a difference—but what was it? All she knew was that the man in the picture, in all his handsomeness, in all his extravagance, was somehow not quite as attractive as he was before, though he would still have stood out anywhere. But it was still the same picture, nothing had changed. How could it be?

He smiled. “Scent,” he said. “Little did you know that it played with your mind. It made you see it in a whole other way, made you feel whole other things. That was my scent it captured then, based on my mood and my spirit. Never underestimate the power of scent. Sometimes it can be lethal, it’ll hit you and you’ll never know what altered your perception until it’s too late.”

Evie looked at the picture again. She felt giddy. Her mind was full of questions: how was it made, what did the camera that took it look like, and, more excitingly, what would she smell like?

But he trailed over to the long table and beckoned her to sit. “Tea?” he asked, and when she nodded a man appeared, whose skin was coppery as well as copper-like, engraved with the intricate designs of a Moroccan teapot. At Grimal’s word, he bowed forward, and from a spout protruding out of his chest streamed hot, peppermint tea into her cup.

When Words Fail

Writing, I’ve come to know that when I speak of beauty, of love, of fear, of joy, of pain, one can never truly feel what I’ve felt. Words are symbols, in the end, that trigger a response in us by drawing upon our own experiences or things we’ve seen. But what they evoke can sometimes be far too general. Sometimes you feel something so great it is quite literally beyond words. But, being human, you are forced to use your tongue in order to relate to others what you have felt. Happiness. Fear. They understand you because those feelings are universal, but can they really know of the many shades, of the depths of your feelings?

“I have seen a beautiful tree.”
You nod,
But what do you see?
My words do not contain the greenery of the tree,
They do not contain the shape arising in the tree,
The roots that have gone deep into the earth.
The words do not contain the sun rays falling on the tree leaves and dancing,
Or the beautiful flowers of the tree, and the fragrance,
And the smell of the wet earth that surrounds the tree,
And the nests of the birds and the song of the birds.
What do the words contain when I say “I have seen a beautiful tree”?
They contain nothing.
The words have no roots, the words have no wings,
The words have no gold, no green, no red;
The words are colorless.
Words are very poor.
“Tree”?
It is only symbolic.
You nod,
But it’s not what you see.

Writing, it is sad to know that my words will not always be as beautiful, as profound, as moving as I wish. But there is also a joy that we, of all creatures, have the power to convey to others the things we’ve seen, felt, heard. And even if they may not be as vivid as we’d like, I am deeply grateful that we do not have to resort to our primitive ways, where we grunted and screamed and made absurd gestures with our hands to get our point across.

Adventures in Saudiland

A few weeks ago, my grandmother had a stroke while in the bathroom. She got up from the toilet seat and died, in an awkward half-standing, half-stooping stance over the sink, her panties down to her knees, her fingers in her mouth. They found her seven hours after it happened; she was bloated and blue in the face. The irony is that, the day before, she’d tidied up her apartment expecting the death of her much older, Alzheimer-ridden husband. It turned out she was tidying it up for herself, when her sons (including my father) came over to mourn her own death. We all expected grandfather to go first too; he’s like a baby these days, he can only mumble and point. So it was a shock that my grandmother died, and the undignified way in which she had died, but then who is ever lucky, I thought, to have a “proper” death?

I didn’t attend her funeral; I didn’t want to. I want to remember her alive.

Grandmother’s death is the reason for our coming here because I know we all thought (but daren’t say) that anyone from our family could suddenly drop dead, so we should pop in to say hello so we don’t regret we never did. That’s one of the effects death has on people: suddenly, you’re aware how fragile everyone is and you start to believe that because of this awareness they are somehow far more in danger of dying than before.

We met my mother’s family first: my grandfather, my grandmother, my uncle, and his son. They all live in the same house. When my uncle divorced he had nowhere to go and not having enough money of his own, settled in with his parents and has been with them since. Their story is a depressing one. Grandfather had been the owner of a highly successful stationery store; he ran it for decades, each decade seeing him enjoying more fame and income than the last. Then, suddenly, in a fit of rage over some dispute, he decided to close down his shop, calling his business hopeless and a waste of time. My uncle was employed there, who also lived off the income they received. Ever since they closed down neither of which, due to their lack of education and qualifications, could find a well-paying job. So they live off their relatives’ sympathy loans and the pastries grandmother sells. And everyone directs their anger onto grandfather, who is now but a frail old thing, simply because he did a mistake a long time ago he can’t undo.

I have never been as aware of their poverty as I am now. It goes to show how much I have grown. On the surface, they don’t seem to be poor; you might even have judged them to be well-to-do: they dress nicely; they never frown; they are exceedingly kind despite their circumstances; their home is elegant and clean. So nothing about them really screams their condition. It isn’t obvious. For a long time, even I fell for it. I remember being told the truth when I was young and having a hard time believing it. But now I see it. I see the severity with which they treat my uncle’s son; they want so desperately for him to grow up to be right, to be intelligent and succeed. I notice how forced their gaiety can be; they want to entertain us, but their laughter and their smiles almost seem like their idea of what laughing or smiling should be like instead of being true. I hear their whispers behind a half-closed door as they count their money to see if they have enough to buy us snacks from the supermarket. I notice all this, and more, and it punches a hole into my chest to see them try so hard to be anything but what they really are.

And yet I can only feel. I can’t do anything; I can’t say anything—quite literally too, as I can’t express myself in their language the way I do mine. I stammer. I blush. I want to tell them how much they mean to me but suddenly I’m in kindergarten and I don’t know A from Z. I can only hug them and hope they feel something in my hugs my words have failed to describe.

_______________________________________________________________

When I am not visiting them, I am cooped in my hotel room. The net connection is very moody, so I often find myself watching videos that freeze suddenly halfway through that no cursing can fix. So I draw or I read. There’s not much else to do.

_______________________________________________________________

And then this thing comes out of nowhere. A government thing, concerning my passport and its renewal. Bear with me, as I don’t speak Adult very well. Either way, what I heard from my father was that I had to wear their traditional Saudi clothing for the whole ordeal. I was horrified—not so much about the dress-up but what on earth I would say. They would interview me for sure, I thought. If they asked me something and I didn’t understand, what would they do? What would they do? I kept asking myself, as I imagined some very unpleasant but somewhat plausible scenarios in which I answered in English instead of Arabic and the government official would look scandalized, press a red button under his desk, and they would take me away to be beheaded. I hate how my imagination scares the piss out of me sometimes.

Thank goodness you hadn’t seen me. You’d have laughed the hair off your head. In addition to the thobe and the gutra and igal (about those last two: I honestly don’t know which is which), I had to wear briefs under it. Briefs. Big briefs. Which was my uncle’s. And that I looked like a total douche in. To make matters worse, I couldn’t stop pulling my thobe up whenever I went up or down the steps—I felt and looked like goddamn Cinderella.

When I reached, it was all white with a flash of checkered red. My father wasn’t kidding when he said everyone wore it there. If a foreigner walked in with jeans and a t-shirt everyone turned to look at him. So I was very thankful I didn’t pull out a foreigner outfit for myself, because that would have ended up attracting more attention than I could bear. My hair was hidden, so no one would look and wonder at my anomalous curls; I did my best I’m-here-on-government-business look and all in all looked very common. I blended in.

And then, after about an hour and a half going upstairs, downstairs, then upstairs again because the damn fools are so disorganized with their stuff and speak to you with their eyes on their Blackberries, I finally got to the part which was the very crucial part and that, when successfully done, I promised myself I would jump on my costume back in my room like a crazed child and shout, “Ha! Ha!! Haaaaaaa!!!” (Later, I really did that. It was a thrill.)

My number was called and I went to the booth trying to remember to breathe.

I handed over my file. Government Man took it. He nodded several times. He coughed. He coughed again. He raised a finger to be excused of his lengthening coughing fit. Phlegm bubbled up in his throat. He didn’t spit it out, or even swallow it. And just as I will never know Victoria’s Secret, I will never know what this man does to his phlegm.

“And are you living here currently?” he asked, in Arabic.

“Yes,” I said, “No.”

“Well, which is it, yes or no?”

“No.”

“Where do you live?”

“Dubai.”

“Ah, Dubai. Ah. With the tall building, ah?”

“Yes. Dubai with the Tall Building.”

“Okay.”

“Okay.”

“Please sit so I can take your picture.”

Government Man motioned to a seat. As I sat down, the black coils holding my gutra and igal in place (I still don’t know which is which) fell into my lap. I wondered if the look on Government Man’s face was mortal offense. I pictured my head rolling away from my body, my eyes open stupidly—beheaded. The word kept repeating in my head as I fixed myself up for the photo. I tried my best to look as Saudi as possible. As far as my observation skills go, the Saudi look can be thus achieved: open your mouth slightly and curl a corner of your lip down (your choice which corner, though I find the right easier to manage); raise your eyebrows so that you look cold and haughty and also vaguely like you smell something rotten but that you also vaguely find appealing. That’s it in a nutshell.

Government Man looked pleased. He took the photo. Then he asked me to put my fingers into a scanner.

“Right first,” said Government Man.

I did as he said.

“Left.”

I did my left.

“Thumbs, please.”

“Sorry?”

“Thumbs.”

“Erm…”

“Thumbs!” And he actually reached over and grabbed my thumbs and shoved them over the scanner. I felt myself turning red. “Pinky finger. Didn’t work.”

You must remember this was all in Arabic. “Pinky finger” sounds well and recognizable in English, but in mumbling, throaty Arabic, especially Saudi Arabian Arabic…Save me.

So I just put all my fingers out on display and let him shove back down whatever finger he needed me to scan. Then Government Man said, “Okay, God be with you,” and I left, feeling as if I was a survivor of something great.

Musical Wonderland: Susumu Yokota’s Symbol

This is music I listen to on my bed, in the dark, with eyes closed.

I can never listen to just one song; it must always be the whole album, the full experience. Listening to one song would be like drifting into a dream and being woken up as soon as you do—a vivid, colorful dream, filled with strangeness and whimsy, terror and beauty, nymphs and fauns and dancing cutlery. It would be like waking up Alice before she finished her tumble down the rabbit hole. A Wonderland, in short, you would not want to rouse from.

But this isn’t Wonderland, to be sure. It certainly has its echoes of the dream logic present in it, but it has its own characters and its settings. And the wonderful thing about it is you’ll experience a different flood of images than me, so no two people who listen to Symbol will ever be in the same world. The world I see is the world that often ends up in everything I write. It is more than inspiration; it’s the blood that pumps behind my work. Whenever I am stuck, a listen to this album will cause me to see something about a character, a theme, or plot point that I hadn’t seen before—or better still, when I have no story in my head to speak of and suddenly find one, quite fully formed.

It is like a rich, incredibly detailed tapestry upon which you can look and look and look and always find something new to see, by tilting your head a certain way, or squinting your eyes a little, or turning it over upside down. It simply never stales; there is always something new to discover.

And I share this with you because it has been my secret delight for far too long.

Songs to check out: Traveler in the Wonderland, I Close the Door Upon Myself, Song of the Sleeping Forest, The Dying Black Swan

In Which Faney Has a Thing or Two to Say

Please note that the following post was not written but spoken by Faney. He has only the vaguest notion about the use of computers (“Is it a sort of typewriter with everlasting ink?”), so I’ve taken it upon myself to record and write down everything he’s said and will share it here with you. Also note that Faney sometimes uses obscure references, and expressions and words that don’t exist. Where he has done so, I have given an explanation by way of footnote.

________________________________________________________________

Hullo! So Faney was asked, “What goes round Faney’s head?” and he thought he would try and give you a bit of that and do his best to speak before his thoughts turn to wisps. It is rather hard to get them back when they turn to wisps. It’s all organized in his mind so please don’t fret. But if Faney goes on a tanny* do forgive; t’just in his nature.

Well! Faney is always in a state of wonderment. In one book it was written that when the first question mark was made, Faney was born.* It is full true, for though it is little-known, in a civilization long-forgotten the question mark was once a magic sigil—Faney’s sigil!—and those who carved it onto clay tablets meditated deeply on it and then Faney would find himself in the Earthy Plane. It is always funny to be in the Earthy Plane; Faney giggles when the wind blows through his hair. And the things they addressed Faney with were full crazy:

O ye God

With twistish, curlish locks

Aid us in knowing

The mysterious and unclear

We offer ye gold

And the life of a furry fox

And little ‘dorned pieces of ear

Faney never had any use for the foxes or the gold or the ears—even if they were covered in glittery things! Those times, Faney was young quite, and did so loathe to be called upon in this manner. Sometimes Faney would be hopping about as a marshguppet* in another plane, enjoying the moonrays and the goldgrass, and would suddenly find himself in the middle of a circle with strange people covered in white powder and hides of bear. Those times, Faney was easily irritable, and bit his biggest toe* at whoever called upon him. But when they begged so sweetly he told stories about the gods in the skies. And that was that!

And here I must intrude on this post once again to tell you that Faney stopped talking and faded away. He seemed to think he had said enough. I kindly explained to him that it was not. 

Oh? Faney thought he was not wanted for long…Anyhow…

Faney knew the answers to the questions he had received from those ancient tribes but dared not speak them. Humankind then was still abloom. They needed to remain in awe of the wonders of the world; they needed to think for themselves, and tell stories, even though we may laugh at them now. And these stories brought them all together. They were one in their beliefs, and felt closer to each other. Imagine if Faney had explained the ways of the universe! The mystery would have gone, their eyes would grow less wide, they would have stopped looking up at the stars. Sooner or later they would end up throwing themselves off cliffs. All the answers are given, what is there to live for? And you would not have been born.

To this day Faney will not give those answers, and he never will. And Faney won’t even give them to himself. He had found them once, but the revelation had been such a blow to his spirit that he slowly began to fade away—from this plane, the Ethereal Plane, all the planes. It was too much for Faney. He had to consult Madam Annette of the seventh plane to make everything right. To make Faney forget. And Faney is happy. He is happy to wonder. And, oh!, what a load of things there is to be in wonder about.

Faney has no trouble now admitting he knows little. He is made of this teensy thing, remember: ? So Faney rarely ever has a jolt of eureka, because eurekas are made of these ! and Faney was not fashioned out of them.

Faney shall leave you with these words: Remain in wonder if you want the mysteries to open up for you. Mysteries never open up for those who go on questioning. Questioners sooner or later end up in a library. Questioners sooner or later end up with scriptures, because scriptures are full of answers. And answers are dangerous; they kill your wonder.*

A Picture of Faney in the Ethereal Plane

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* Tangent

**Ruminations on the Origin of Faney, a text written by philosopher Reverin Bule in the medieval era.

***A kind of rabbit that is so soft to the touch, it is known to cause people to pet it until their hands blister and fall. (Adelop’s Encyclopedia of Strangeish Things pg. 342, column 16)

****An ancient gesture that is extremely rude.

*****Faney doesn’t seem to realize he’s taken these words from the mouth of  Bhagwan Shree Rajneesh, an Indian mystic renowned for his wisdom as well as his mile-long beard.



The Four Whimsies

First you must meet Happichant, because Happichant arrived the earliest. The Muser of the lot, there is little he hasn’t thunk. From the purpose of dust in the air to the stars in the sky, the roundness of the earth to the fluffiness of pancakes, everything is a marvel to him; and he would very much like to share those marvels with you. He can often be found wandering around Crunchcackle Park, hands stuffed in his trench coat pockets, collar up to his forehead, so that the only thing to be seen of him is his thick, matted hair and dark, squinting eyes. Some believe those are the only parts of him, and that the rest of his body is clothing. For, if the rumors are to be believed, he thought himself into existence. (Though apparently he didn’t do a very thorough job of it.)

Toots the Bookstress comes next. To say that she loves books would be a disgrace. She lives books. In fact, she was born out of books. In every library, every bookstore, every home in the world, over the many thousands of years that someone has held a book and fondly flipped through it, all the bookdust gathered in the air and eventually was enough to form a being. Toots may look human, with a suitably sweet grandmotherly appearance one often associates with librarians, but she is, in fact, book—book-born, book-veined, book-brained. She will be in charge of the book reviews, naturally, and may speak of books in general on occasion.

Then there is Gideous, our Tall Tale Teller. Born of spilled ink, scrapped stories, and forgotten dreams, he is to tales as Toots is to books. Unsurprisingly, they are a couple, with each one’s purpose balancing the other’s; without one another they would cease to exist. Gideous is especially fond of fairy tales, old and new; he spins them often, with his own special touch, and is always delighted to share them. He is said to offer help to those artistically blocked by whispering words of wisdom faintly in their ears. His presence is reportedly accompanied by a strong smell of ink, parchment, and cinnamon.

And last we meet Faney—sweet, faraway Faney, who arrived so late we had all begun to think he’d never show up at all. When he did, he blushed a deep scarlet that matched the color of his wild curly hair, and went on about frog puppets and madrigals in a flurry. We never quite understood what on earth they had to do with anything, but nonetheless we were happy to have him. Faney is a Cloud Observer, with all his toes but one in some other land. So far removed from this world is he that sometimes he inadvertently turns invisible, being far more of the spirit than of the body. He will be the one to entertain us with words of nonsense, words of wit and words of wonder. Though some would call him stupid, you will find that he can sometimes be surprisingly profound.

And now we have our Cloud Observer, our Bookstress, our Muser, and our Tall Tale Teller! Together they make the Four Whimsies, and they are delighted to meet you!

As for me, I am unimportant. Perhaps you’ll meet me someday (though you better not count on it). I am, after all, only the channeler. They will be the ones to speak after this, and what odd, charming voices they have!

I came upon them all by chance. One week I couldn’t sleep, and then the world suddenly went a bit fuzzy, like how the telly goes when there’s no connection, all shhh and white. I tilted my head a little to the side, and it was as though a whole other world peeled back, just like the cover of a yogurt cup; and as it peeled away, I saw them all, one by one: Happichant, with his coat-swathed self; Toots, balancing innumerable books upon her head; Gideous, twiddling his inky thumbs as he thought over his latest tale; and Faney, whose wispy, flyaway hair was all I saw at first, floating in midair, until a sudden sound caused him to materialize in full. I waved; they waved back.

And if it wasn’t for the courage instilled in me by my dear friends Rasha, Sara, and Sana, I would never have asked them to join me to share their thoughts and wonders with you.

I hope they delight, enchant, and bring magic to your life as they have in mine.

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